The Santoor is an ancient stringed musical instrument that originated in the Kashmir Valley, in the northern part of the Indian subcontinent. Its history can be traced back to ancient times, with references found in Indian scriptures and Persian literature. Traditionally known as the Shata-Tantri Veena, meaning "a hundred strings," the Santoor has been a significant instrument in Sufi music and has found a revered place in Indian classical music over the centuries.
Construction and Design : The Santoor is a trapezoid-shaped instrument made primarily from seasoned wood. It typically has 25 bridges, with each bridge supporting four strings, leading to a total of 100 strings, though variations exist. The soundboard of the Santoor is crucial for its tonal quality and resonance.
Wood Selection : The body of the Santoor is made from durable woods like tun wood or walnut, chosen for their resonant properties.
Strings and Bridges : The strings are usually made of steel, and the bridges are often crafted from ivory, bone, or hard wood. The positioning of the bridges is meticulously adjusted to ensure accurate tuning and sound production.
Tuning : The instrument is tuned to a specific raga, with each set of strings adjusted to the required pitches. This allows for a wide range of musical expression.
Pandit Devi Prasad Sonkar, born on 20 July 1957 in the historic city Varanasi, has made a significant mark in the world of Indian classical music, not only as a skilled Santoor player but more so as a revered Santoor manufacturer. Growing up in the Bengali Tola locality, Pandit Devi Prasad did not come from a family with a musical background. Despite this, his passion for music led him to pursue formal education under the guidance of Pandit Dwitiya Kishore Acharya, an accomplished sitar player. His dedication and talent eventually brought him under the tutelage of the legendary Santoor maestro, Awarded two of the country's top civilian honours: The Padma Shri (1991) and The Padma Vibhushan (2001) Pandit Shivkumar Sharma , who recognized his keen interest in both playing and crafting the Santoor.
Pandit Devi Prasad's exceptional skills as a Santoor manufacturer have been recognized with various awards and accolades. His instruments are cherished not only in India but also in many other countries, enhancing the global appreciation of Indian classical music. The Santoor and Swara Mandal created by him are used by numerous artists from India and abroad, including Pandit Shivkumar Sharma, Pandit Bhajan Sopori, Pandit Rahul Sharma, Pandit Abhay Rustam Sopori, and Pandit Channu Lal Mishra etc. are the main ones.
Dr. Bhaskar Sonkar, also known as Naveen Bhaskar, is the proud son of Pandit Devi Prasad Sonkar, and the torchbearer of the esteemed Santoor tradition. Born into a family deeply rooted in the cultural heritage of Varanasi, Bhaskar was immersed in the world of music from a young age. His early education in music was under the careful guidance of his father, who instilled in him a profound understanding and love for the Santoor.
Embark on an extraordinary journey of Santoor learning under the esteemed guidance of Padma Shri Pandit Satish Vyas, a senior disciple of the legendary Pandit Shivkumar Sharma. With a legacy rooted in dedication and mastery, Pandit Satish Vyas brings a wealth of knowledge and an unparalleled depth of musical insight.
Bhaskar pursued his higher education at the prestigious Banaras Hindu University (BHU), where he obtained his PhD in Music. His research, titled "An Analytical Study on the Contributions of Various Artists in the Development of Santoor and Its Playing Style in North Indian Classical Music"" reflects his deep commitment to and understanding of the Santoor and its evolution in Indian classical music.
Apart from playing Santoor, Bhaskar holds: